with the goal of having three beds, so I could rotate crops and renew soil with green manure and organic mulch. The first bed grew and filled out quickly, and we were able to harvest a good crop off of it the first year, and plant new plugs in the second bed for the next spring. The grass is beautiful in its own right, lovely to watch as it moves in the wind, and it is a joy to harvest the fragrant blades when they are mature.

Dad and I set up a production line of braiding posts along the porch with binder twine wrapped around the post and a slip noose on the end. We cut the grass by hand in small batches, and cured it to a certain point in the sun, which can be tricky, too long and the grass crumbles when you try to braid it, and if it is too wet, it may spoil. We had to check it frequently, because humidity, the time of day, and heat all affect the curing time. Once it was cured to a certain point, we divided the grass into small bundles which we hung on the slip nooses and braided and tied off with yarn. Then we finished drying the braids indoors out of the sun so they would keep their color and fragrance. It was labor intensive, meditative work, and I enjoyed the companionship of my father as we worked. My braids were (and still are,) large and sloppy, but dad’s braids were precise, evenly braided, with few loose ends sticking out. No matter how carefully I tried to work, my braids just weren’t as pretty!

It is still an ongoing lesson for me to slow down enough to work methodically and precisely, and my braids are a bit tidier, but they still vary in size and aren’t so pretty. I am so busy at the museum now that I have to do most of the sweetgrass work on weekends. Mom keeps the beds watered for me, and dad continues to harvest the sweetgrass into his beautiful braids, even with the pain of rheumatoid arthritis in his hands.

Sometimes looking at the eye-catching rows of sweetgrass moving in a lovely embrace with the breezes that flow through the garden, I feel a little sad that it’s so contained in its bed. I imagine the sweetgrass hills and wild grasses waving and swirling in the wind, their own sea of fragrance and diversity, and thank this wonderful plant for the tiny rectangle of beauty I am caretaker of, for its desire to burst free of confinement, and for sharing its essence with us. Perhaps a braid of sweetgrass may remind each of us to slow down and grow our awareness and gratitude for our surroundings, and the inner workings of simply being.

Interested in Sweetgrass and the indigenous use of other plants? Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants by Robin Wall Kimmerer, Potawatomi Nation member, scientist and professor is an uplifting, rich book for the contemporary reader.

https://en.wikipedia.org/wiki/Hierochloe_odorata

Hope, Tom, & Gray, Alan, Grasses of the British Isles: BSBI Handbook No. 13, Botanical Society of the British Isles, 2009, p 311. ISBN 978-0-901158-42-0.

“BSBI List 2007”. Botanical Society of Britain and Ireland. Archived from the original (xls) on 2015-01-25. Retrieved 2014-10-17.

Krasińska, M.; Krasińska, Z. (2013). “Food and Use of the Environment”. European Bison. Springer Berlin Heidelberg. pp. 157–179. doi:10.1007/978-3-642-36555-3_14. ISBN 978-3-642-36554-6.

Sweetgrass Growing information. Redwood City Seed Company. http://www.ecoseeds.com/sweetgrass.html

“Mosquito-repelling chemicals identified in traditional sweetgrass”.

Hierochloe odorata (L.) P. Beauv., USDA PLANTS

“NativeTech: Native American Uses for Sweetgrass”. www.nativetech.org. Retrieved 2019-02-27